With six 1 pop hits, HO delivered hearty performances with a dash of rock and soul and consistently left traces of their sweat and blood in their extensive collection of work. Nonetheless, The Bird and the Bees take just falls short of reaching the climax HO justly deserves. There isnt another fitting musical salutation to their genre-defying, easy-listening Philly-nurtured pop, unless you call out HOs precious four-disc Do What You Want. On their latest musical foray, the pair pays homage to pop-soul royalty on Interpreting the Masters Volume 1: A Musical Tribute to Daryl Hall John Oates. Since their debut EP in 2006, The Bird and the Bee have been turning out their ballsy style of synth pop on the Blue Note jazz label and have become one of the vanguards to the bubbling indie-pop cutting-edge sound. Its far more interesting than their covers of songs that lets be honest here really cant be bettered.Īn easy interpretation of duo Inara George and Greg Kurstins stage name of The Bird and the Bee is to consider George as a bird chirping away with her lead vocals while Kurstin buzzes as the bee, the electro-wizard behind the computer-programmed acts instrumentation. Curiously, they open with the stellar HO-influenced original Heard It On The Radio.
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